In the wake of The Death of Supermen, the world is still mourning the loss of the Man of Steel following his fatal battle with the monster Doomsday. However, no sooner as his body been laid to rest than do four new bearers of the Superman shield come forward to take on the mantle. The Last Son of Krypton, Superboy, Steel, and the Cyborg Superman all attempt to fill the vacuum left by the world's greatest champion. Meanwhile, Superman's death has also signaled to the universe that Earth is vulnerable. Can these new Supermen and the rest of the heroes prove them wrong?

Exploring the history of the 'Power Rangers' franchise, casting, special effects and music.

"After The Reign" follows the meteoric rise and painful demise of Benito Cruz as he evolves from outrageous social media click bait king to the extremely controversial and chart-topping hip-hop troll, Lil Tito.

Genre writer Stephen Thrower discusses the film. We find out from the ever-informative Stephen that the film was shot in Munich; that composer Bruno Nicolai taught Ennio Morricone.

Egon Brümmer and his half-strong "boys" are an integral part of the Borkenheide Musical Club. When the manager of the clubhouse forbids them to rehearse in his rooms, Egon and his friend Paul react by hitting on the visitors to a nearby Christmas party. Both are sentenced to six months in prison without parole for assault. When Egon gets out of prison, he wants to leave his old life behind him. He tries to avoid the boys, but they don't understand his change of heart. He starts working as an unskilled laborer on a building site, just as he did before he went to prison. At a graduation ball, Egon meets Christine Lange, who wants to study medicine. Her friends call her the "eighth wonder of the world" because it would be a miracle if she were to fall in love. Egon pretends to be a construction specialist and the two dance together.

A respectable village head decides to keep his son away from the violent politics of rural life. However, fate intervenes, forcing the young man to not only return home, but also take up the sickle.

Series looking at the revolution in 20th century music. 　　Wrecking Ball 　　It begins by examining the shift in the language and sound of music from the melodies and harmonies of giants such as Mozart, Haydn and Brahms into the fragmented, abstract, discordant sound of the most radical composers of the new century - Schoenberg, Webern, Stravinsky and beyond. It examines how this new music was a response to the huge upheaval in the world at the start of the 20th century, with its developments in technology, science, modern art and the tumult of the First World War. Featuring performances of some of the key works of the period, performed by the London Sinfonietta, members of the Aurora Orchestra and composer and pianist Timothy Andres, the story of this episode in music history is brought to life through the contributions of the biggest names in modern classical music, among them Steve Reich, John Adams, Michael Tilson Thomas, Pierre Boulez, George Benjamin and Alex Ross, music critic of the New Yorker. 　　Free for All 　　Part 2 examines how the freewheeling modernism that had shocked audiences in the first two decades of the century came under state control. Initially, many practitioners thought the totalitarian regimes would be good for music and the arts. What followed in Germany was a ban on music written by Jews, African-Americans and communists, while in the Soviet Union there was a prohibition on music the workers were unable to hum. After the cataclysm of the 1940s, a new generation of composers - Boulez, Stockhausen, Xenakis, Nono, Ligeti - turned their back on what they saw as the discredited music of the past and tried to reinvent it from scratch. Or, at least, from serialism, which became as much of a straitjacket as totalitarianism's strictures had been. But from this period of avant-garde experimentation, which many listeners found baffling and terrifying, came some of the most influential and radical musical innovations of the century. 　　Easy Listening 　　Series concludes with the focus shifting to the United States in the post-war years of the 1950s and beyond. Beginning with arguably the most notorious work of 20th century classical music, John Cage's 'silent' composition 4'33", it looks at how a series of maverick Americans re-invented the sound of classical music into a more simple form, bringing back harmonies and rhythms that made it increasingly popular with audiences across the world. It also examines how this music found its way into a spiritual realm, with the strain of pared-down religious composition that came to be known as 'holy minimalism'. From the Maverick concert hall in Woodstock, New York to an Orthodox cathedral in Estonia to a car park in Peckham, south London, the story is told by a stellar line-up of contributors including Philip Glass, Steve Reich, John Adams, Arvo Pärt and John Tavener.

A group of beautiful female vampires lure men to their estate so they can feed on their blood.

In this fairytale-like melodrama, Choi Kang-ju is engaged to an eligible young lady from a small southern island, Doo Rim. But, there's one problem: the first bride of the family's first son is always cursed to die.

Rookie policeman Shing (Louis Koo) grapples with right and wrong in this action-packed story about Hong Kong gangsters. Assigned to go undercover, Shing is so successful in playing the part of a gang member that he becomes right-hand man to gang leader Fei Ling (Andy Lau). Shing comes to respect Fei Ling and question his original motives, but the troubled cop must make a crucial decision before rival gangs and impatient cops move in for the kill.